By now the procedure is always the same. Almost a script, written and rewritten. The theater is almost always the same, sometimes change elements of the script made mainly of shacks patched, a flyover by way of cover, the surroundings of a landfill that serve as play area, recreation such as terraced houses. Then there should be players that are usually good and bad policemen on one side and the other occupants of the slums. But those sound good? And the bad? Mah There are those who point the finger at those who, say, acts of caring about others' difficulties, destroying what he can to the sound of bulldozers and batons. In contrast there are those who, particularly after the murder of Tor Di Quinto, are labeled as those who steal, rape and kill. Sull'intreccio of these dynamics are often developing a product similar to one another, as often happens, involves and do argue. Every time is always a lot of talk. As with the Christmas movies. Everyone has a voice.
As in the best productions of films, the highlight comes when (allegedly) good and evil face off. And every time we see the usual skirmishes. Who screams from here, who threatened there, someone tries to process, who submits his case, who, in the meantime, try to pick up what he can. Criminals and policemen, the needy and heartless. The views change. But the substance is the same. Evictions. Hotbeds of crime? Oasis of unauthorized? Or simply meeting of Unfortunate? For years, we continue with the controversy.
But the subject is elusive. Often we deal with terrible superficiality. We call on evacuations. Clean. Once and for all. But then you resize the controversy slowly fades ... ... until, perhaps, it can not the dead. It's a dog chasing its tail.
Every week, every month, every year repeats the same cloth, with the same actors, the same roles. From Milan to Florence from Rome to Turin. Now that's true national unity.
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