Bizet's Carmen is a work of strong colors that requires not only good singers but also good actors. In fact, if we do not undertake to give the correct interpretation, we risk falling into banality. For example, Vesselina Kasarova, in the shoes of the protagonist, not only sang well, weighting the item to make it more dramatic, but also showed they did not know the psychology of Carmen. His interpretation was vulgar, not to put anything in light of the protagonist and the free spirit that has focused only on the Carmen - great seductress who among other things has not been examined even in the right way. Very good but in terms of interpretation the rest of the cast. Don Jose was very well played by Fabio Armiliato, which combined good to excellent voice acting. The tenor has been able, with understanding, to highlight the passage of Don Jose as a man with an ordered existence to man tormented and made mad by his passion for Carmen. But the best was undoubtedly stands Massimo, who was able to highlight the sensuous, but also the pride and vanity, the bullfighter Escamillo. Superlative his couplet, accompanied by a recitation and a perfect mimicry. Also good test Trattnig Sandra, who is able to enhance the strength of mind and pure feelings of Micaela without falling into tedious and banal. Brave also Frasquita and Mercedes, as well as the rest of the cast and chorus, who managed to give the idea of \u200b\u200bSeville as a city even though the sun setting low and miserable.
Acceptable costumes, ridiculous set design. Who tells me what does the fake dog that automatically moved to touch his tail? Who takes me a rock bigger than a mountain? Who explains to me why the bullfighters dress up as bullfighters to go to the inn, and not to go to the bullfight? Who has ever seen an umbrella of the police? The World Cup on TV are not served to annoy the guy sitting at the table, pretending to sleep, but actually watching the game? Now I have no words for the preparations of the Zurich Opera!
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